This is the summer of palindromes. My mileage sheet (per week) for the last nine weeks reads: 22, 33, 44, 55, 66, 77, 88, 99, 111. It started as a cutesy way to get to where I wanted to be by July, and turned into a mileage program to see if my body could handle high mileage. Ever since I read the running cult book “Once A Runner” my freshman year, I’ve wondered if my body could hold up over 120 miles/week, and this might be the best chance I have at finding out. While it might look like I’m finished at 111, the last step in my Palindrome Mileage Program is 121. If I don’t make it there this week (or even if I do), I’ve got all of August.
What’s it like running the highest mileage of my life in Shanghai? It’s learning to be OK with being gross and disgusting as you hop by thousands of pedestrians every run; it’s like trying to go crazy, running as far as you ever have and consciously deciding “I could go further”; it’s spending your day waiting in between runs; it’s like eating so you can run, making your own food to make sure you’re getting enough protein/calcium, whatever; it’s like this: a curious popping sound started coming from my knee whenever I went too fast without fully warming up and instead of being alarmed, my first thought was that I would be able to better regulate my warm-up this way.
There are several not-so-incredible things about what I’m doing: I’m training in a city with no hills, at sea level, and deciding my own pace day-to-day (though sticking close to a range my coach wants us running at). All this makes hitting high mileage easier and slightly less meaningful. Most serious athletes do their heavy training at high altitude with a team.
There are several incredible things about what I’m doing: I’m putting down lifetime-high mileage from the center of one of the largest, most populated cities in the world, entirely on pavement and without ice baths (to keep my legs from getting injured) during monsoon season in shanghai (heavy pollution + rain = acid rain!). And outside of a monthly e-mail from my coach to the entire team, there’s no one patting my back or cheering me on, though I do get some phenomenal support from the occasional Chinese man on street corners. All this, with a full-time 9-6 job.
Speaking of acid rain I just remembered and looked up an E-mail I sent in 2008 to then-Captain Jake Gallagher:
“I've been in Beijing for a few weeks, but now I'm spending some time backpacking around China. I just got into Shanghai from Qingdao... Between you and me, I'm afraid that with the blinding smog and all-encompassing pavement in Beijing something in my body is going to give up. I'm safe from lung cancer for another week and a half until I return to Beijing, but I still only get about 100 meters of soft surface running a week. Then there’s the acid-rain-ensuing monsoon season. The fiya has got to blaze somehow, eh?”
It’s now Tsunami season again in Shanghai and I’m plugging along all the same. I’m still unclear whether the fact that I hold the same attitude as in 2008 makes me extremely proud of my perseverance or scared of my ignorance and stupidity. Either way, this might be the only chance I have to do this sort of training, and I’m taking life up on the offer.
Sunday, July 11, 2010
Friday, July 9, 2010
New Faces in Old Patterns (bonus marathon post!)
“What’s wrong?"
“I feel like I’ve been here before,” I said.
“You live here. Or is this like deja-vu?”
“No, not like that –like I’ve been here in time before.”
“Where?”
“The Fourth of July.”
Even though this summer is incomparable to the last two (the people, the day job, the apartment, the food), the summers are blending together. As in, I felt the distinct pattern of “Independence Day in China” like, “Oh. I’ve been here before”. Maybe this is what happens when I’m ready to graduate and move on to something less formulaic (semester-home-semester-China-semester-home-semester China...), or maybe that’s just what happens when you get older and have more things to remember. Either way, I’m starting to see the same old patterns in this summer, but with new faces and places and snacks. Either way, it’s been completely worth it; at the end of the day, each lap of the pattern lets me learn more about the world.
For example: I learned for the hundredth time what the Chinese mean when they say to me (for the thousandth time): “If you want to learn Chinese, you need to get a Chinese girlfriend.” At first I thought they were joking, but it turns out that whether it be girlfriends or a friends you see often (in all my cases, friends), being around them can magically make your Chinese better. But even after I realized that “get a Chinese girlfriend” meant “practice Chinese all the time,” I didn’t fully realize until now that it actually means “make Chinese relevant to yourself”. That is, in discussing the little and Very Big things in life that matter to you, in listening to someone else critique and extend your own opinions, to revise and create new ideas in Chinese is to make it relevant to yourself. The things you learn in those conversations you remember forever.
But that’s not what I sat down to type about.
I finally have my suit! It’s just about exactly what I’d wanted, for whatever that’s worth. I also got custom-made ties and am having fitted shirts made, and maybe a vest (if I can manage to bargain successfully unlike the last two times). The fabric market here makes me feel like a designer. I gave an absurd amount of specifications and style and fabric demands to the tailor. It’s like having a Demres fashion label! “Maybe THAT’S what I’ll do after I graduate” (that thought pops in my head about every other moderately interesting thing I do these days).
Friday I adventured with Becca, going to a few galleries and interviews. The interviews are giving me a good feel for what the art community is like in Shanghai. One of the most fascinating things we’re finding is art galleries’ reluctance to initiate “art community events” to stimulate the art culture in Shanghai. In fact, they often don’t understand the concept of holding art events and festivals to get the entire community excited about art. “In China,” one person answered, “everybody does their own thing... if we encourage people to see more of the art in Shanghai, we lose our own customers.”
As it turns out, the Shanghai art gallery community is a dog-eat-dog business. Interestingly, this goes directly against the standard “socialist” form of thinking, where everyone contributes to the community in order to create a better common good. Under this thinking, the art community would want to work together and pool their customers, not horde them away for themselves. I have two guesses for why this is: One is Western influence: the Shanghai art community has been “mainly written by Western people in the end,” as one person claimed. But although this does have some truth to it, it seems a little Western-centric and arrogant, especially considering there are many Chinese-run galleries in Shanghai. Also, galleries in the West often hold art community events, despite being embedded in a ruthless capitalist system. Two is that (surprise) it’s a cultural adaptation. Chinese history has been wrought with change on political and economic terms; in the last century, this change became more rapid than ever, seeing the fall of the dynasty system that had been in place for some thousands of years in 1911, the quick rise and fall of Nationalist parties in the next twenty years, the shift to communism by 1949, a total upheaval of cultural norms in the 1960’s during Mao’s Cultural Revolution, as well as the rapid opening to the West in more recent years. All of this is to say: the Chinese have necessarily adapted to a volatile government and economy, and in doing so have become accustomed to holding on to what they have, be it family traditions, small plots of land, or their native dialect and heritage. In this case, art gallery owners need to hold on to their customers, lest tomorrow a foreign gallery opens up next store and takes away customers, or the government suddenly turns against art. I think this explanation resonates best with the current situation in China, and also reveals that Chinese people aren’t just products of their government. They are not, despite Western opinion, necessarily “communist” by nature, but rather part of the generational development they are embedded in. When the Western literature can better recognize this, a better understanding of culture will form.
After adventuring that Friday, Becca’s landlord took her, her roommate, and myself out to a long, busy street that sold only crawfish. Crowded into clusters of tiny restaurants, Shanghainese flocked to this street at night; I didn’t spot a single foreigner there. (That’s when you know you’re in for a good time.) We ate pounds of crawfish and I learned how to tear through them. Both Becca and her roommate (who are from the southern US) talked about how crawfish are a “local” specialty, and their landlord (from Shanghai) talked about how they were a local specialty here, and they ended up bonding over childhood experiences of netting crawfish on hot summer days. That they could relate so closely to their experiences with the near-identical “local” on opposite sides of the world was fascinating. What an outrageously globalized world.
I’m translating lots at work, and it’s become a joke that I’m the “translation department” of MoCA. Whenever someone needs something translated, they’re pointed to the translation department, located at my desk. I’m getting good at it, except for: a few days ago, I translated a foreword to a MoCA book being published next month. In the opening sentence, I misread 岛 (island) as 鸟 (bird) (what an idiot, right?), and ended up going on about the birds that make up the famous, sprawling Indonesian landscape. It wasn’t until I saw a Tsingdao beer ad the next day (the second character of Tsingdao is 岛) that I went “oh no” and ran back to my boss. He already had seen it, and laughed and asked me how birds managed to find their way into the foreword. Best of all, the MoCA book for the current exhibition, which I translated, was just published! It is my first published translation, so although I had to spend six hours with the publishers, painstakingly copy-editing last week, it was an exciting process.
I also met casually with the Chairman of the museum and he gave me some outstanding recommendations for my senior thesis pertaining to art in Hong Kong. He’s originally a very wealthy jade investor from there, so he knows the place well. Equally exciting is that I got to check out the layout of the next exhibition with him. He was complaining about the cost of the walls for it and how he didn’t like the look/feel of how the layout was going to be, and on a whim I made a suggestion to get rid of a couple walls, and drastically shorten another one both lengthwise and widthwise. It would open up the museum, allow people to see through the exhibition from the long stairway (and from outside), and save money! He and my co-worker thought it was a good idea and he said he’ll speak to the curator about this. My floor design idea might be incorporated into an exhibition, fun fun. Layouts are just like theater sets, except with more space and money.
Yummy things I have made lately:
- Meatballs. I used what I could find, which was ground pork and lamb. Experimenting with meats for texture, flavor and juiciness is highly recommended.
- Stovetop pizza. One of my best inventions yet. The dough is tricky (I’ve been making more of a pita dough), but it’s really hard to mess this one up.
- Tuna Bisque. Why make soup when you can make Bisque?
- Fried stuff. For 4th of July we had a fryfest and deep-fried onion rings in a beer batter, along with anything else in our refrigerator. There’s an excellent picture on the photoblog. This is not to be confused with Will’s and my quest to make French fries for breakfast. It’s safe to say we’ve been using corn oil like water and frying potatoes nearly every morning in our apartment.
- Creamed spinach with an olive oil béchamel. Because spinach has protein, and Davids eat protein.
Here’s a story about a conflict at work: there is a girl in the marketing department who is stuck up and nobody likes (I feel like there is one of these in every office). She doesn’t really do any work (instead does her make-up and leaves to go for shopping walks). Anyway, she somehow convinced the Chairman here that the Marketing department only needs one person, and to send the other one to another department. We were all confused as to how she was planning on getting the work done, until I figured out she planned on pinning all to me and taking credit for it (this is not my job). Long story short, I ended up calling her out in front of the entire office, to enthusiastic approval. I’ve never chewed out someone so hard in Chinese before – definitely a landmark. I should probably not make a habit of this, though for now the rest of the office is happy with me and (after getting license to do so from my boss) I get to just say “I’m busy doing Education department things” whenever she asks for help, as I go back to reading books.
On that note, I’ve made it a mission to read as many of the books as I can in the office. There are hundreds of art history books and magazines (both in English and Chinese) for the grabbing. I’ve always wanted a personal library, and this is about as close as I’m going to get.
Overall, my boss has been great. After finding out we both like photography, he’s always calling me over to his computer to check out his latest batch of pictures from around the city. He’s got a disgustingly nice Nikon camera, and takes some really great still life pictures. Now every few mornings as soon as I get into work he says, “David! Grab your camera!” and runs out of the room and I follow him to the park or wherever and we take pictures. The Lotus Flowers in People’s Park are breathtaking this time of year, and so we snap our cameras at them for a half hour or so before heading back in. Yesterday he told me to get my camera out in the middle of the day, and we went down into the kitchen and took pictures of the new menu items as the chefs were making them. Can I claim I’ve done professional food photography now? Yes? I can? Good, I’m glad you agree.
Most exciting: he wants to do dinner at my place with everyone at the office, where he cooks Chinese food and I cook Western food and we make a meal. Everyone in the office is holding their breath, I can’t wait.
Also, my boss decided that my homework for the rest of the month is to think about MoCA, analyze the good things and the bad things, and give them an honest “company evaluation” (over dinner) at the end. I’ll make sure to include that here.
Finally, Will and I are preparing for our Shanghai concert series. Stay tuned for more details (and maybe a video). And god bless whoever read this far down.
“I feel like I’ve been here before,” I said.
“You live here. Or is this like deja-vu?”
“No, not like that –like I’ve been here in time before.”
“Where?”
“The Fourth of July.”
Even though this summer is incomparable to the last two (the people, the day job, the apartment, the food), the summers are blending together. As in, I felt the distinct pattern of “Independence Day in China” like, “Oh. I’ve been here before”. Maybe this is what happens when I’m ready to graduate and move on to something less formulaic (semester-home-semester-China-semester-home-semester China...), or maybe that’s just what happens when you get older and have more things to remember. Either way, I’m starting to see the same old patterns in this summer, but with new faces and places and snacks. Either way, it’s been completely worth it; at the end of the day, each lap of the pattern lets me learn more about the world.
For example: I learned for the hundredth time what the Chinese mean when they say to me (for the thousandth time): “If you want to learn Chinese, you need to get a Chinese girlfriend.” At first I thought they were joking, but it turns out that whether it be girlfriends or a friends you see often (in all my cases, friends), being around them can magically make your Chinese better. But even after I realized that “get a Chinese girlfriend” meant “practice Chinese all the time,” I didn’t fully realize until now that it actually means “make Chinese relevant to yourself”. That is, in discussing the little and Very Big things in life that matter to you, in listening to someone else critique and extend your own opinions, to revise and create new ideas in Chinese is to make it relevant to yourself. The things you learn in those conversations you remember forever.
But that’s not what I sat down to type about.
I finally have my suit! It’s just about exactly what I’d wanted, for whatever that’s worth. I also got custom-made ties and am having fitted shirts made, and maybe a vest (if I can manage to bargain successfully unlike the last two times). The fabric market here makes me feel like a designer. I gave an absurd amount of specifications and style and fabric demands to the tailor. It’s like having a Demres fashion label! “Maybe THAT’S what I’ll do after I graduate” (that thought pops in my head about every other moderately interesting thing I do these days).
Friday I adventured with Becca, going to a few galleries and interviews. The interviews are giving me a good feel for what the art community is like in Shanghai. One of the most fascinating things we’re finding is art galleries’ reluctance to initiate “art community events” to stimulate the art culture in Shanghai. In fact, they often don’t understand the concept of holding art events and festivals to get the entire community excited about art. “In China,” one person answered, “everybody does their own thing... if we encourage people to see more of the art in Shanghai, we lose our own customers.”
As it turns out, the Shanghai art gallery community is a dog-eat-dog business. Interestingly, this goes directly against the standard “socialist” form of thinking, where everyone contributes to the community in order to create a better common good. Under this thinking, the art community would want to work together and pool their customers, not horde them away for themselves. I have two guesses for why this is: One is Western influence: the Shanghai art community has been “mainly written by Western people in the end,” as one person claimed. But although this does have some truth to it, it seems a little Western-centric and arrogant, especially considering there are many Chinese-run galleries in Shanghai. Also, galleries in the West often hold art community events, despite being embedded in a ruthless capitalist system. Two is that (surprise) it’s a cultural adaptation. Chinese history has been wrought with change on political and economic terms; in the last century, this change became more rapid than ever, seeing the fall of the dynasty system that had been in place for some thousands of years in 1911, the quick rise and fall of Nationalist parties in the next twenty years, the shift to communism by 1949, a total upheaval of cultural norms in the 1960’s during Mao’s Cultural Revolution, as well as the rapid opening to the West in more recent years. All of this is to say: the Chinese have necessarily adapted to a volatile government and economy, and in doing so have become accustomed to holding on to what they have, be it family traditions, small plots of land, or their native dialect and heritage. In this case, art gallery owners need to hold on to their customers, lest tomorrow a foreign gallery opens up next store and takes away customers, or the government suddenly turns against art. I think this explanation resonates best with the current situation in China, and also reveals that Chinese people aren’t just products of their government. They are not, despite Western opinion, necessarily “communist” by nature, but rather part of the generational development they are embedded in. When the Western literature can better recognize this, a better understanding of culture will form.
After adventuring that Friday, Becca’s landlord took her, her roommate, and myself out to a long, busy street that sold only crawfish. Crowded into clusters of tiny restaurants, Shanghainese flocked to this street at night; I didn’t spot a single foreigner there. (That’s when you know you’re in for a good time.) We ate pounds of crawfish and I learned how to tear through them. Both Becca and her roommate (who are from the southern US) talked about how crawfish are a “local” specialty, and their landlord (from Shanghai) talked about how they were a local specialty here, and they ended up bonding over childhood experiences of netting crawfish on hot summer days. That they could relate so closely to their experiences with the near-identical “local” on opposite sides of the world was fascinating. What an outrageously globalized world.
I’m translating lots at work, and it’s become a joke that I’m the “translation department” of MoCA. Whenever someone needs something translated, they’re pointed to the translation department, located at my desk. I’m getting good at it, except for: a few days ago, I translated a foreword to a MoCA book being published next month. In the opening sentence, I misread 岛 (island) as 鸟 (bird) (what an idiot, right?), and ended up going on about the birds that make up the famous, sprawling Indonesian landscape. It wasn’t until I saw a Tsingdao beer ad the next day (the second character of Tsingdao is 岛) that I went “oh no” and ran back to my boss. He already had seen it, and laughed and asked me how birds managed to find their way into the foreword. Best of all, the MoCA book for the current exhibition, which I translated, was just published! It is my first published translation, so although I had to spend six hours with the publishers, painstakingly copy-editing last week, it was an exciting process.
I also met casually with the Chairman of the museum and he gave me some outstanding recommendations for my senior thesis pertaining to art in Hong Kong. He’s originally a very wealthy jade investor from there, so he knows the place well. Equally exciting is that I got to check out the layout of the next exhibition with him. He was complaining about the cost of the walls for it and how he didn’t like the look/feel of how the layout was going to be, and on a whim I made a suggestion to get rid of a couple walls, and drastically shorten another one both lengthwise and widthwise. It would open up the museum, allow people to see through the exhibition from the long stairway (and from outside), and save money! He and my co-worker thought it was a good idea and he said he’ll speak to the curator about this. My floor design idea might be incorporated into an exhibition, fun fun. Layouts are just like theater sets, except with more space and money.
Yummy things I have made lately:
- Meatballs. I used what I could find, which was ground pork and lamb. Experimenting with meats for texture, flavor and juiciness is highly recommended.
- Stovetop pizza. One of my best inventions yet. The dough is tricky (I’ve been making more of a pita dough), but it’s really hard to mess this one up.
- Tuna Bisque. Why make soup when you can make Bisque?
- Fried stuff. For 4th of July we had a fryfest and deep-fried onion rings in a beer batter, along with anything else in our refrigerator. There’s an excellent picture on the photoblog. This is not to be confused with Will’s and my quest to make French fries for breakfast. It’s safe to say we’ve been using corn oil like water and frying potatoes nearly every morning in our apartment.
- Creamed spinach with an olive oil béchamel. Because spinach has protein, and Davids eat protein.
Here’s a story about a conflict at work: there is a girl in the marketing department who is stuck up and nobody likes (I feel like there is one of these in every office). She doesn’t really do any work (instead does her make-up and leaves to go for shopping walks). Anyway, she somehow convinced the Chairman here that the Marketing department only needs one person, and to send the other one to another department. We were all confused as to how she was planning on getting the work done, until I figured out she planned on pinning all to me and taking credit for it (this is not my job). Long story short, I ended up calling her out in front of the entire office, to enthusiastic approval. I’ve never chewed out someone so hard in Chinese before – definitely a landmark. I should probably not make a habit of this, though for now the rest of the office is happy with me and (after getting license to do so from my boss) I get to just say “I’m busy doing Education department things” whenever she asks for help, as I go back to reading books.
On that note, I’ve made it a mission to read as many of the books as I can in the office. There are hundreds of art history books and magazines (both in English and Chinese) for the grabbing. I’ve always wanted a personal library, and this is about as close as I’m going to get.
Overall, my boss has been great. After finding out we both like photography, he’s always calling me over to his computer to check out his latest batch of pictures from around the city. He’s got a disgustingly nice Nikon camera, and takes some really great still life pictures. Now every few mornings as soon as I get into work he says, “David! Grab your camera!” and runs out of the room and I follow him to the park or wherever and we take pictures. The Lotus Flowers in People’s Park are breathtaking this time of year, and so we snap our cameras at them for a half hour or so before heading back in. Yesterday he told me to get my camera out in the middle of the day, and we went down into the kitchen and took pictures of the new menu items as the chefs were making them. Can I claim I’ve done professional food photography now? Yes? I can? Good, I’m glad you agree.
Most exciting: he wants to do dinner at my place with everyone at the office, where he cooks Chinese food and I cook Western food and we make a meal. Everyone in the office is holding their breath, I can’t wait.
Also, my boss decided that my homework for the rest of the month is to think about MoCA, analyze the good things and the bad things, and give them an honest “company evaluation” (over dinner) at the end. I’ll make sure to include that here.
Finally, Will and I are preparing for our Shanghai concert series. Stay tuned for more details (and maybe a video). And god bless whoever read this far down.
Sunday, June 27, 2010
Initiative, go!
Last week I met a grad student from Arkansas! She's doing public policy research in China, and interviewing lots of art galleries. She mentioned that her translator recently bailed on her, and so on a whim a few days later I shot her an e-mail offering to translation for her interviews. This way I could practice translating, get exposure to her research, ask some questions of my own, and make a friend! It worked well. She was really glad to have someone to go with (she doesn't speak any Chinese), so on Thursday we went exploring. We found a charming, isolated district hidden in the middle of the city, with grassy hills and implausibly large sculptures. We interviewed and interviewed and got into some juicy topics that I hope to use in my senior thesis, like differences between China, Hong Kong, and Taiwan on issues of art and globalization. Then we had a jolly time touring galleries (including one interior design gallery with only kitchens on display). It'll be fun to see what else we'll get ourselves into next week. It amazes me, though, how many awesome opportunities are just waiting out there to be grabbed, with an e-mail or a phone call. Initiative, go!
In other news: Will, Andi and I finally went to the fabric market, and it was as good as could be expected. I got fitted for a suit (for a nice square 50 USD!), and am having a couple of linen ties custom-made. I get to pick them up in a week. Like always, barganing was a crazy, acting-heavy game. Will, Andi and I are all Psych/CogSci majors, so we enjoyed analyzing the emotional games the professional-grade shopkeepers will put you through to get you to pay more. One even took fifteen minutes to explain the process of how ties were made, from the way the fabric is cut, to the taylor specifications and everything. Overall, an experience worth paying money for in and of itself.
All that, and starting to run far.
In other news: Will, Andi and I finally went to the fabric market, and it was as good as could be expected. I got fitted for a suit (for a nice square 50 USD!), and am having a couple of linen ties custom-made. I get to pick them up in a week. Like always, barganing was a crazy, acting-heavy game. Will, Andi and I are all Psych/CogSci majors, so we enjoyed analyzing the emotional games the professional-grade shopkeepers will put you through to get you to pay more. One even took fifteen minutes to explain the process of how ties were made, from the way the fabric is cut, to the taylor specifications and everything. Overall, an experience worth paying money for in and of itself.
All that, and starting to run far.
Wednesday, June 23, 2010
Fair
Traffic in China is all about being fair. It's a perculiar type of communal driving, almost precisely what you'd expect "Socialist" traffic to look like. Unlike in the States, in China, the goal of traffic seems to be that no one ever has to stop, even if that means going four miles an hour all the way to work. Merging, turning, and crossing intersections all have a give-and-take. You're expected to budge a little when the crazy taxi next to you is trying to jump into your lane, and the next morning when you're late to work, a few buses and cars will break momentarily for you so you can zip through the intersection on a red light. It's a fair system, and everyone gets their share of law-breaking.
Every time I go back to the US, I think our "fair" traffic system is a little silly. Regardless of who is in a hurry, where traffic is heaviest, or what construction is on the roads, we all agree to stop at lights for seconds or minutes at a time, just so we can expect that others will do the same down the road. I guess Americans are more fixated on life's little comforts and reassurances than the Chinese ever are.
(Coincidentally, traffic in China always reminds me of a game I had when I was a kid called Rush Hour, where you move the cars around to try to get the red car out. Unfortunately, finding the link just now is going to result in me playing several more hours of this than I ever needed to.)
Every time I go back to the US, I think our "fair" traffic system is a little silly. Regardless of who is in a hurry, where traffic is heaviest, or what construction is on the roads, we all agree to stop at lights for seconds or minutes at a time, just so we can expect that others will do the same down the road. I guess Americans are more fixated on life's little comforts and reassurances than the Chinese ever are.
(Coincidentally, traffic in China always reminds me of a game I had when I was a kid called Rush Hour, where you move the cars around to try to get the red car out. Unfortunately, finding the link just now is going to result in me playing several more hours of this than I ever needed to.)
Monday, June 21, 2010
A few good things that have happened in recent days.
1. Last Sunday, Piaggio, the Italian motorbike company, held a launch party for their new three-wheel M3 Hybrid bike. It featured test rides of the motorbike, gross amounts of food (including a Tiramisu cake larger than the average seven-year-old), and me engaging in a two-hour conversation with the pioneer of hybrid technologies in Europe while eating said cake.
2. Monday I sang one 15-second note that is now in my roommate's new song.
3. Tuesday Will and I bought two watermelons.
4. Wednesday Watermelon Day! Wednesday morning Will and I ate an entire watermelon each on our balcony.
While my body was busy figuring that out, I attended a Chinese cooking class. I decided that I would like to go to culinary school and become a brilliant chef. I was also informed that this would make me a more attractive individual. I'll let the apron be the judge.
5. Thursday my boss decided I could translate English into Chinese. This was only good when I finished.
6. Friday I translated the CV for a famous Asian rockstar, Ashin. I guess this means I have the official translations for his song titles, books, etc.? Then I met up with one of my coworkers and a slew of Chinese and Serbians to watch the Serbia vs. Germany soccer game. We stayed at the BBQ restaurant for about four hours, ordering up countless skewers of often unidentifiable but delicious food. I feel 100% OK with making "going out with Chinese people" a hobby because I can always throw it into the "learning Chinese" and "cultural experience" categories.
7. Saturday morning was the top of the week. I gave a media tour and interview to a handful of American reporters, including the New York Times. It went very very well, and it made me remember why I love academia, because we were thinking on the same level. They were all professors on the East coast as well as columnists, and were very familiar with Yale, which made a good starter for our twenty-minute conversation after the tour. The NYU professor gave me his business card and invited me to attend his class anytime I'm in NY. I am determined to take him up on that.
Saturday night I had co-workers over for dinner, and we traded recipies.
8. Sunday was a charity event that Lisa organized at K5, followed by exploring food and the Shanghai Museum, which is full of artifacts (bronze and jade works, ancient calligraphy, seals, and coinage, etc.). After studying contemporary art, old stuff is boring.
9. Today we held a Smurfs press conference for their new movie release. With giant smurfs dancing around and kids acting out Smurfythings, it was unbearably cute and the perfect way to start off the week. That, and it was bubble tea day in the office.
2. Monday I sang one 15-second note that is now in my roommate's new song.
3. Tuesday Will and I bought two watermelons.
4. Wednesday Watermelon Day! Wednesday morning Will and I ate an entire watermelon each on our balcony.
While my body was busy figuring that out, I attended a Chinese cooking class. I decided that I would like to go to culinary school and become a brilliant chef. I was also informed that this would make me a more attractive individual. I'll let the apron be the judge.
5. Thursday my boss decided I could translate English into Chinese. This was only good when I finished.
6. Friday I translated the CV for a famous Asian rockstar, Ashin. I guess this means I have the official translations for his song titles, books, etc.? Then I met up with one of my coworkers and a slew of Chinese and Serbians to watch the Serbia vs. Germany soccer game. We stayed at the BBQ restaurant for about four hours, ordering up countless skewers of often unidentifiable but delicious food. I feel 100% OK with making "going out with Chinese people" a hobby because I can always throw it into the "learning Chinese" and "cultural experience" categories.
7. Saturday morning was the top of the week. I gave a media tour and interview to a handful of American reporters, including the New York Times. It went very very well, and it made me remember why I love academia, because we were thinking on the same level. They were all professors on the East coast as well as columnists, and were very familiar with Yale, which made a good starter for our twenty-minute conversation after the tour. The NYU professor gave me his business card and invited me to attend his class anytime I'm in NY. I am determined to take him up on that.
Saturday night I had co-workers over for dinner, and we traded recipies.
8. Sunday was a charity event that Lisa organized at K5, followed by exploring food and the Shanghai Museum, which is full of artifacts (bronze and jade works, ancient calligraphy, seals, and coinage, etc.). After studying contemporary art, old stuff is boring.
9. Today we held a Smurfs press conference for their new movie release. With giant smurfs dancing around and kids acting out Smurfythings, it was unbearably cute and the perfect way to start off the week. That, and it was bubble tea day in the office.
Sunday, June 20, 2010
David Dresses Shanghai, One Dot at a Time
What happened to large polka dots? Beyond their brief tryst with men's clothing in the 60's, they now only exist in cutesy girls' dresses and vintage novelty ties.
It's unclear whether Brian Hyland's “Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini" (1960) or Walt Disney's choice to dress Mickey Mouse in a red polka dot dress (1961) ignitied the '60's comeback. What isn't unclear is that the sexyness of polka dots, displayed by the innovator to the left, is tragically overlooked. I'm determined to bring large polka dots back into men's fashion, even if I have to put them back there myself, dot-by-dot.
Some claim its been done before. Beau Brummell, named by Esquire Magazine as one of the Top 75 Best Dressed Men of All Time, is said to have donned polka dots in his re-invention of men's fashion. But, as the timeless mantra goes, "Pics or it didn't happen". I could not find a single picture of Mr. Brummell (pictured here) in said attire, so the fashion remains unclaimed.
If anywhere, Shanghai is the place where this under-rated fashion will resurface. If this 60-something pioneer of all clothing great, found at the marriage market, has anything to say about the matter, the time is ripe.
Shanghai is famous for its low-priced tayloring at its marriage markets, and I've been planning for months to have a Bespoke suit done in the style of Ralph Lauren. But for the sake of establishing the polka dot as the new face of hot fashion, I'm hoping to strongarm the taylors at the Shanghai fashion market into making me a polka dot dress shirt, with a pattern inverse to the dress the girl above is wearing. That, pizzazz, and a black tie will take any man to great places not seen since 18th century Britain.
It's unclear whether Brian Hyland's “Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini" (1960) or Walt Disney's choice to dress Mickey Mouse in a red polka dot dress (1961) ignitied the '60's comeback. What isn't unclear is that the sexyness of polka dots, displayed by the innovator to the left, is tragically overlooked. I'm determined to bring large polka dots back into men's fashion, even if I have to put them back there myself, dot-by-dot.
Some claim its been done before. Beau Brummell, named by Esquire Magazine as one of the Top 75 Best Dressed Men of All Time, is said to have donned polka dots in his re-invention of men's fashion. But, as the timeless mantra goes, "Pics or it didn't happen". I could not find a single picture of Mr. Brummell (pictured here) in said attire, so the fashion remains unclaimed.
If anywhere, Shanghai is the place where this under-rated fashion will resurface. If this 60-something pioneer of all clothing great, found at the marriage market, has anything to say about the matter, the time is ripe.
Shanghai is famous for its low-priced tayloring at its marriage markets, and I've been planning for months to have a Bespoke suit done in the style of Ralph Lauren. But for the sake of establishing the polka dot as the new face of hot fashion, I'm hoping to strongarm the taylors at the Shanghai fashion market into making me a polka dot dress shirt, with a pattern inverse to the dress the girl above is wearing. That, pizzazz, and a black tie will take any man to great places not seen since 18th century Britain.
Tuesday, June 15, 2010
DON'T TOUCH THE ART. RAWR.
Occasionally I get roped into the least relaxing job of all time: guard duty at the museum. The current exhibition features a room full of enormous playthings, and we need to make sure that absolutely no one touches them.
This is inexplicably difficult. Grown men and women leap over the "do not touch" signs and lines on the ground in attempts to topple the art in a ferocious embrace. Little children are obviously worse, and I'm averaging about two brain aneurysms for every time one walks in the room, though I'm prepared to tackle them mercilessly to the ground at any moment if they get too close. I now understand why policemen are so bitter: constantly stopping people from doing stupid things makes me hate everyone in the room almost as much as I hate everyone in over-crowded dining halls, or tofu.
So all I can do is growl at them to take a step back. I will admit to having resorted to using a loudspeaker to get my way.
This is inexplicably difficult. Grown men and women leap over the "do not touch" signs and lines on the ground in attempts to topple the art in a ferocious embrace. Little children are obviously worse, and I'm averaging about two brain aneurysms for every time one walks in the room, though I'm prepared to tackle them mercilessly to the ground at any moment if they get too close. I now understand why policemen are so bitter: constantly stopping people from doing stupid things makes me hate everyone in the room almost as much as I hate everyone in over-crowded dining halls, or tofu.
So all I can do is growl at them to take a step back. I will admit to having resorted to using a loudspeaker to get my way.
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